Tag Archive | "Landscapes"

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Photo feature - Ameyoko Market, Ueno


While much of Tokyo is turning into new landscapes of luxury malls and glossy condominiums, there are a few places that still offer the sights and smells of Asia. One of the best is the Ameyoko market at Ueno, with its noisy jumble of stalls and stacks of merchandise, its distinctively voiced barkers and hawkers, and its teeming crowds of international shoppers.
On weekends, it seems the entire Asian population of Tokyo and environs converges on Ameyoko Center Market, the supermarket for all your exotic far-eastern needs. Specialist shops, butchers and fishmongers offer a wide range of Asian favorites that may be difficult to find at your local supermarket….
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Yumiko Morisue "Quietly, One Day"


poster for Yumiko Morisue "Quietly, One Day"
Yumiko Morisue "Quietly, One Day"

at INAX Gallery 1 & 2

Media: Prints - Art Talk

(2010-03-01 - 2010-03-29)
Opening Reception on 2010-03-01 from 18:00 to 19:00

Yumiko Morisue transforms familiar everyday objects into incredible landscapes. Viewers are by turns shocked, dumbfounded and charmed by their humor and spirit. Although she initially studied silkscreen printing at the Kyoto City University of Arts, she soon became drawn to the way in which layers of ink overlap each other, and began making works that layered prints on top of everyday objects like katsuobushi (dried bonito flake) packs and Band-Aids.

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Rai Fujii "Round Scape"


poster for Rai Fujii "Round Scape"
Rai Fujii "Round Scape"

at Yokohama Creative City Center

Media: Painting - Art Party

(2010-02-10 - 2010-02-15)
Opening Reception on 2010-02-10 from 18:00 to 20:00

Arts Commission Yokohama held artist-in-residence exchange programs for the first time last year in the cities of Yokohama and Nikawa. This exhibition features new landscapes by Yokohama-based artist Rai Fujii that were created during a three-month stay in Nikawa.

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Wasabi: All you need to know!


For all my agnosticism, I sometimes think I am blessed to be born in Dijon, Bourgogne, France and lived in Shizuoka City, the birthplace of Wasabi!

The sign at the entrance of Utogi, the birthplace of wasabi!

Around 1600, farmers in Utougi District, some 33 km from Shizuoka JR Station along the Abe River, first started experimenting with the culture of that particular plant, which they already knew as a wild vegetable used for pickling. At the time they were only processing the stems, leaves and flowers.

Utogi Village

If you want to visit Utogi, where you will find a soba restaurant and other shops as well as the possibility of trekking and festivals watching in April and October, either go by car (55 minutes) or take a bus (Shizuoka JR Station/75 minutes). The trip along the Abe River is worth for its own sake with all the changing landscapes and vistas!
I did it by bicycle, but it took me 5 hours for the return-trip from the city centre and had to push the bicycle along forthe last 3 kilometres. Even a maoutain bike would have made it!

Another view of Utogi

Wasabi Monument in Utogi.

They even have their own “Mon/Arms”!

This is still a very popular kind of pickles in Shizuoka where they are sold in season.
In 1604, Tokugawa Ieyasu, the Japanese Overlord/Shogun, who had just moved to Sumpu (presently Shizuoka City), grew extremely fond of the grated root and helped spread its use all over the country. Its present culture has expanded outside our Prefecture, especially in Nagano, but Shizuoka still produces not only 80% of the whole crop in Japan, and the best wasabi are grown in Utougi and in the Amagi Range in Izu Peninsula.

This gentleman is the 17th generation of the first wasabi growers in Utogi! Check His homepage (Japanese) where you can order a whole array of products! Look at him in his field on youtube!

Tamaruya stand at Haneda Airport

The first and oldest wasabi shop, Tamaruya, is still very much in business in Shizuoka City and even has a stand in Haneda Airport, Shizuoka City!

Wasabi growing is backbreaking work. You need a constant temperature, so you have to be located at a certain altitude (weel over 1,000 metres in some cases) as extreme heat is not welcome, as well as extrem cold.

Pure, soft, constant water is a must. Shizuoka water is known as the best in Japan as demonstrated by its superlative (and rare) sake.

Fields need constant care during the two years it takes for roots to be mature. You can drink the water in these fields without any fear!

WASABI IN JAPANESE CUISINE

If you want to grate your own wasabi, you will need a grater.
The best (above) are made with shark skin!
Grated wasabi is the most common use for the plant, especially with sushi and sashimi.

Wasabi Flowers.

But the stems, leaves and flowers are extensively used.
The leaves can be eaten raw and are great with miso!

The stems are a delicacy marinated in rice vinegar.

Wasabi zuke/wasabi stems and flowers pickled in sake kasu/sake white lees.
Wasabi zuke in Shizuoka is simply extravagant as the sake breweries sell their best white lees/sake kasu (after the sake has been pressed) to the local farmers and producers!

Soon I will post an interesting home-made recipe for wasabi zuke!

The same leaves, once pickled, can be included inside inari zushi for the pleasure of vegans!

Na no hana/rape flowers boiled and seasoned with wasabi mayonnaise.

Now, you might know it, but thinly sliced wasabi root is not as strong as grated wasabi. In Shizuoka, as it is not that expensive, try and ask your favourite sushi chef to cut it in very thin strips and roll as it is in a “maki”. It’s called “namida maki/tear maki” or “bakudan maki/bomb maki” (the real one, not the buster made with grated wasabi!). A favourite of mine!

FRENCH CUISINE

Wasabi is getting more and more popular in French and other cuisines all over the world.
The above dish was created by Dominique Corby a great French Chef who learned his craft at the Tour d’Argent in Paris, among others, before coming to Japan to look after the kitchen of the Sakura Restaurant in the New Otani Hotel in Osaka and of the 6eme Sens in Tokyo.

His cuisine was created with whole wasabi (1 metre long!) i sent him by cool box from Shizuoka.
These are the best grown in Utogi. Very fat, clean, with no black marks and with enormous stems and leaves. Dominique steame the leaves and stems before serving them with fish seasoned with a wasabi sauce reduction from the roots!

FANCY FOODS

Wasabi Dango!

Wasabi comes into many kinds of fancy food for the pleasure of all, young and old!

Wasabi soft Ice-cream!

DERIVATED PRODUCTS

Wasabi comes into a whole array of derivated products worth exploring:

Wasabi Dressing 1

Wasabi Dressing 2

Wasabi dressing is not that strong and can be used in cold and hot/warm dishes.
The Missus uses it extensively with dtir-fried veetables and meat.

Nori/seaweed and miso seasoned with wasabi is another great vegan seasoning!

Wasabi salt by Tamaruya!

Stewed wasabi by Tamaruya!

Wasabi Shochu!

The only true wasabi shochu is made by Bandai Brewery in Shuzenji, Izu peninsula, Shizuoka Prefecture! (don’t be fooled by unscrupulous producers/traders!).

HEALTH FACTS:

-Wasabi is a natural medicinal herb as it contains big amounts of Potassium, Calcium, Magnesium, Vitamin B2 ad C.

-Combined with vinegar, or mustard, or ginger, helps combat fppd poisining, obesity and helps blood flow.

-Combined with Chinese cabbage, or cabbage, or yam, helps combat ulcers and cancer.

-Combine with onion, or leek, or galic chive, helps combat blood vessel ageaing and heart diseases, as well as preserve skin health.

-Combined with chili peppers, or umeboshi/Japanese pickled plums, or orange, or grapefruit, helps appetite and quick illness recovery, helps skin rejuvenation and helps combat ageing.

FOR RESIDENTS AND VISITORS IN SHIZUOKA CITY:

On every first Wednesday of the month, a small but very special fair is held in the basement of Isetan Store in Shizuoka City.
It is called “Shizuoka Utsurogi Ichiba” after a group of farmers residing and conducting business up Abe River in Shizuoka City, up to an altitude of 1,500 metres, around Utogi, the birthplace of wasabi, and still considered the best in the world.
Try to come as soon as Isetan opens as it can become quite a unashamed tussle with all these local grannies fighting for the best morsel!
All products on sale are purely local and practically devoid of industrial fertilizers. It is actually a paradise for vegetarians as only vegetables are represented there. A multitude of succulent and extravagant wasabi pickles, pickled plums, onions, etc.
The names, addresses and even phone numbers of the farmers are clearly stated, making all purchases eminently traceable.

But the pinnacle is some incredible fresh vegetables, including enormous fresh wasabi roots at ridiculously low prices. I grabbed tis couple of fresh bouquets of wasabi stems, leaves and flowers for my better half (worse?) who loves them as tempura or home-made pickles! I wonder what people in Tokyo would have to pay for that!

It is possible to travel up to Utogi and buy directly from the Farmers Cooperative at:
422–8031 Shizuoka City, Yumei Cho, 2-20
TEl.: 054-2869018

RECOMMENDED RELATED SITES:
Bread + Butter, Comestilblog, Greedy Girl, Bouchon For 2, Zoy Zhang, Hungry Neko, Mangantayon, Elinluv Tidbit Corner, Maison de Christina, Chrys Niles, Lexi, Culinary Musings, Eats and Everything, Bite Me New England, Heather Sweet, Warren Bobrow, 5 Star Foodie, Frank Fariello, Oyster Culture, Ramendo, Alchemist Chef, Ochikeron, Mrs. Lavendula, The Gipsy Chef, Spirited Miu Flavor, Wheeling Gourmet, Chef de Plunge, Sushi Nomads, Island Vittles, The French Market Maven, Tokyo Through The Drinking Glas, Palate To Pen, Tokyo Foodcast, Good Beer & Country Boys, Tokyo Terrace, Think Twice, Jefferson’s Table, While mY Sautoir Gently Weeps

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Mitsuhiro Yamagiwa "Pale Blue"


Mitsuhiro Yamagiwa "Pale Blue"

at Base Gallery

Media: Photography

(2010-01-15 - 2010-02-06)
Opening Reception on 2010-01-15 from 18:00

Mitsuhiro Yamagiwa has exhibited a great number of paintings, photographs and installation in the past decades, and in each one of them, the essence in his expression has been the distance between himself and the world surrounding him, or even the way it is. “PALE BLUE” focuses more on his latest photographs, giving public the first opportunity to see his new works.
The digital data, as the core his works, is developed by scanning the photographs taken by Brownie camera and taking the scanned image into PC in half resolution. The mechanically scanned image, which is planar and too common and familiar, gives us the impression that the work leads us to somewhere between paintings and photographs. Moreover, it reminds us that the scene in our view is someplace certainly exists, but at the same time, it appears it can be nowhere.
The objects such as fireworks, which are a bit off from our daily life, do not show us any particular demeanor. Even though Yamagiwa chooses landscapes in foreign countries as the objects, his works do not give us any clue that they are in anomalous presence nor the distance from us to the actual places. Only flat and figural items are designed to be oozed. The scenery which is prevailing far and away, the hue which possess misalignment : every and each one of them brings us irritating feeling as if it is coated with a shin layer.

You might find yourself realizing it is exactly the texture and feeling of Yamagiwa in his everyday life. No places and no events have determinism. Everything and every moment is moderately and merely diffusible, and eventually repossessed in our mundane life. As an innocent self, Yamagiwa couches his texture of life in the form of photograph.

“Pale Blue”, as the first solo exhibition at Base Gallery, will not only indicate us unexpected viewpoint but bring us the moment turning around our life which is full of inarticulacy from all quarters. The opening reception will be held at 18:00 on January 15th.

[Image:"blank 01" 2009, 31.3 x 31.3 cm,C-print]

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Carolina Raquel Antich "Nightfall"


poster for Carolina Raquel Antich "Nightfall"
Carolina Raquel Antich "Nightfall"

at Art-U room

Media: Painting

(2009-11-27 - 2009-12-20)
Opening Reception on 2009-11-27 from 18:00 to 20:30

Carolina Raquel Antich was born in Rosario, Argentina in 1970. She moved to Italy in the late 1990s and is currently based in Venice, where she works mostly as a painter. She won the Italian Youth Art Prize in 2005, and exhibited at the 51st Venice Biennale. In recent years she has held solo shows in New York, London and Lugano, and exhibited at the Rome Quadriennale in 2008.

Antich’s work often features pre-pubescent children - slender youths getting excited over war games, or portraits of girls whose expressions betray an ego that is just starting to awaken. These paintings not only reflect the innocence and artlessness of childhood, but also a fickle emotional temperament that can sometimes turn into savagery or perversity.

Her previous solo show held at Art-U Room in 2007 featured mostly works with a restrained palette and sense of translucency, but here Antich has chosen to employ more vivid colors that recall illusionary landscapes that seem to have come out of a child’s dream.

[Image: "Night Fishing" (2009) acrylic on canvas, 55x42cm]

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Aya Shirai "Meskerem 2001 Ethiopia"


poster for Aya Shirai "Meskerem 2001 Ethiopia"
Aya Shirai "Meskerem 2001 Ethiopia"

at ArchitectS Office Gallery

Media: Photography - Art Party

(2009-10-01 - 2009-10-13)
Opening Reception on 2009-10-02 from 18:00

There 13 months in a year in the Ethiopian calendar. The 1st month through to the 12th have 30 days while the 13th has 5 (or 6).

The beginning of the year is September 11th of the western calender. The photographer stayed from the 12th months to the 1st month of the next year. It is the period in which the season changes: yellow flowers bloom covering the mountains with their color. This exhibition will show photographs of such landscapes as well as of Ethiopian religious architecture.

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Yasunori Kinukawa "The Unknown and the Known"


poster for Yasunori Kinukawa "The Unknown and the Known"
Yasunori Kinukawa "The Unknown and the Known"

at Neutron Tokyo

Media: Other - Art Party

(2009-09-16 - 2009-10-04)
Opening Reception on 2009-09-16 from 18:00 to 20:00

Collages are an accumulation of dreams since childhood, as well as proof of the artist’s journey in search of romance. Yasunori Kinukawa takes traces of past journeys and travels found in scrapbooks and paints them onto large surfaces, accomplishing a kind of sublimation. Like revolving lanterns, these enchanting landscapes negotiate between the pure emotions of adolescence and a more adult reality - they are fragments of a dream that insinuate themselves in the back of our minds.

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